Mr. Cupid and I just returned from a quick trip out to Kansas City to enjoy a visit with his family. While there, I always plan a few outings to antique stores to look for vintage china. I seem to have the best luck finding beautiful antique and vintage china pieces in the mid-west rather than here in Florida and I thought I would share some of my latest finds....
I recently came across these beautiful but damaged Wedgwood Flow Blue plates. I’ve had this pattern before but came across another stash just as my first stash ran dry…perfect timing….finding these was
almost like winning the lotto! The flow blue on these plates is just beautiful and I love the pattern because of the rose detail and touches of original gold gilt. This pattern is circa late 1890’s
All the plates are damaged with chips around the edges and a couple are literally cracked in half. With this type of damage, you don’t want to eat off the plates due to the ruptured glazes and exposed pottery. And although I don’t mind displaying damaged dishes, true collectors generally reject these types of plates….which is good for me! This is where I get the thrill of taking damaged goods and making something new with them. If you don’t know about flow blue plates, just visit any antique store and you are sure to find at least a few.

A majority of flow blue china was made between the early 1800’s to just after the turn of the century. In the late 1700’s, Chinese porcelain was very popular but was a luxury item that only the very wealthy could afford. Soon English potters found a way to duplicate the look of Chinese porcelain at more reasonable prices.

Using newly developed transfer printing methods, they were able to engrave a design into a master plate which was painted, then using damp tissue paper which was pressed onto the design, they were able to “lift” the painted design and by pressing it onto a new plate, they could transfer or duplicate the design. The term “flow blue” refers to the pigments or glazes that were used to create the patterns. When fired, these pigments “flowed” into the porous earthenware and blurred during the glazing process. The most popular pieces were created using a dark shade of blue pigment.

The photo above is of the stash of antique and vintage plates I came home with on this trip. All of this was carefully packed in my carry-on bags and guarded with my life as we went through security and were jostled around as we boarded the plane. Talk about precious cargo! I did not want to let these sweet babies out of my sight! I can’t wait to start creating broken china jewelry using these treasures, so please stay tuned to this blog and I’ll post photos of my newest pieces when these beauties are ready to find a new home…. xo ~ Joy